Hellenistic+Period

Hellenistic sculptors were not like the artists of the previous periods, there was an enormous variety of styles and materials used during this time. Unlike before, the Hellenistic artists started to explore the concept or realism rather than idealism. Also, artists began making works with more emotion and interest. Many sculptures are considered to be more emotional due to the artists' exploration of themes throughout their works. These themes can range from suffering, to sleep, to old age. Sculptures were also more interesting to viewers during this time because artists began to create works that could be admired from all angles. The combination of all these elements caused the creation many beautiful, influential sculptures. knfksnkfndf'oamFLMSDNFK;NGL;SD
 * __Hellenistic Period __** The Hellenistic period in Greece began in about 323 BCE, recently after the unexpected death of Alexander the Great. This period comes to an end around the time of the death of Cleopatra, Egypt's last ruler. Between these two major events, many of today's best known sculptures were created.



**The Dying Gallic Trumpeter** clearly depicts a barbarian, or Celtic soldier. While the Greeks looked down on barbarians, considering them to be uncivilized, it is a surprise that the trumpeter is displayed with such dignity in defeat. There is a clear emotional response this sculpture gives to the viewer. This is often called expressionism which is a very common characteristic throughout Hellenistic art. || ||
 * [[image:http://www.globusjourneys.com/Common/Images/Destinations/laocoon-and-sons.jpg height="324" align="right" caption="Laocoön and His Sons (Marble Copy) "]] ||

** Laocoön and His Sons** illustrates a part of the Trojan War when the Gods sent serpents from the sea to kill Lao coön and His Sons during a walk on the shore. The artist followed the popular trend of the time shown in the facial expressions of all three subjects. Also, the struggling figures in a complicated composition suggests the relationship between Rhodian and Pergamene sculptors. ||

**Nike (Victory) of Samothrace** was originally standing with the wings thrust backwards on a stone ship which formed the base to the statue. This work was probably commemerating some significant naval victory. This Hellenistic sculpture is considered to be even more emotional and theatrical than the two above. The artists was able to balance the forward motion of Nike's heavy body with the enormous wings in the opposite direction. This artwork is considered to be the finest example of the contrast throughout all of Hellenistic sculpture. From the feathery texture for the wings to the draping cloth to the smooth skin, it is impossible for the viewer to be bored. || ||
 * [[image:http://www.unf.edu/classes/freshmancore/core1images/oldwoman1.jpg height="364" align="right" caption="Old Woman"]] ||

The **Old Woman** demonstrates many artist's tendency to turn away from generalizing idealism and turning towards the more realistic or the ordinary individual. There is some debate on the character portrayed. Many believe she is just a peasant woman from ancient Greece on her way to a market. Other think she is an elderly woman who is taking her chickens and basket of vegetables to make an offering to the God of wine, Dionysos. Either way, this sculpture, like most of those from the Hellenistic period, stretches out of its "box" demanding a response from viewers. ||